- 00:00:28 – Introduction
- 00:03:03 – Catching up after the holidays
- 00:04:07 – Listener mail!
- 00:08:18 – King of the Unknown
- 00:33:42 – Cosmic Dash
- 01:12:16 – Checking in with Jim McClain and Paul Schultz
- 01:27:36 – Freedman
- 01:52:51 – Wrap up
- 01:53:45 – Contact us
Elvis Has Left the Building
It’s a new year, and the webcomics guys are back to discuss three intriguing webcomic titles. They begin with Marcus Muller’s King of the Unknown, an unusual take on the King of Rock and Roll. You thought he was dead? Well, he’s actually alive and kicking (and eating), but now he’s working in the shadows as a paranormal investigator. This is a weird and offbeat title that both Sean and Derek can’t recommend enough, but it’s an ongoing webcomic that hasn’t been updated since 2013. There are indications that Muller will return to the story this year, but in the meantime, introduce yourself to the 30 pages that are already available.
After that, Sean and Derek take a look at Cosmic Dash by David Davis. The premise is not dissimilar to that of another webcomics the guys discussed, Sean Wang’s Runners, but this one is more lighthearted and includes a larger ensemble cast. In fact, the guys spend a lot of time talking about the ensemble nature of the webcomic and how Davis does an outstanding job of providing supplementary material in the way of detailed character descriptions, maps, timelines, design guides, and lore pages.
Then, after the guys check in with Jim McClain and Paul Schultz — their new webcomic Poe and the Mysteriads launches this month! — they wrap up the episode with a discussion of an already completed webcomic, Peter Quach’s Freedman. This is a short story, only 23 pages, but it’s an outstanding example of a tightly written and impactful narrative. As the title suggests, the tale concerns ex-slaves in the aftermath of the Civil War, with one in particular who has difficulty freeing himself from the past. The guys also discuss some of Quach’s other short pieces on his website, including the hilarious I Am a Racist (and So Can You). It’s a story that certainly resonates as we approach the dark days of the Trump administration.